This 1984 release was the first in what could be very loosely said to belong to a trilogy of his 80's albums, the other two being Invisible Connections and Mask, both from the following year (1985). It is a concept album which derived inspiration from the natural elements, life processes taking place on the Earth's surface and beneath our feet. He recalls that it "was made because I wanted to make music, not sell a million records. I don't think it's possible to guarantee commercial success for an album anyway, because nobody really knows what is commercial and what isn't. Even if I went out of my way to make an album that was more accessible to the public, that would not guarantee it's commercial success".
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