Farscape
Music from the Original Soundtrack
Label:  Gnp Crescendo 
Date:  11/28/2000
Length:  0:00
Format:  CD
Genre:  Soundtrack; Symphonic Rock
  Category:  soundtrack
    Track Listing:
      1.  
      		 Farscape: Theme    
      2.  
      		 Premiere (Wormhole!)    
      3.  
      		 Back And Back And Back To The Future (Time Trouble)    
      4.  
      		 Thank God It's Friday, Again: Suite (Tannot Groves)    
      5.  
      		 Thank God It's Friday, Again: Suite (Fields Of Joy)    
      6.  
      		 PK Tech Girl (Goodbye)    
      7.  
      		 That Old Black Magic (Maldis)    
      8.  
      		 DNA Mad Scientist (Namtar's Magic)    
      9.  
      		 Rhapsody In Blue (Delvian Dreams)    
      10.  
      		 Jeremiah Crichton (Trouble In Paradise)    
      11.  
      		 Family Ties (Parting Comrades)    
      12.  
      		 The Way Were Weren't: Suite (Pilot Arrives)    
      13.  
      		 The Way Were Weren't: Suite (Aeryn And Velorek)    
      14.  
      		 The Way Were Weren't: Suite (Peace Keeping)    
      15.  
      		 Home On The Remains: Suite (The Nogelti Crystal)    
      16.  
      		 Home On The Remains: Suite (Romance)    
      17.  
      		 Look At The Princess Part III (The Maltese Crichton: Crichton's Daughter)    
      18.  
      		 My Three Crichtons: Suite (Crichton X3)    
      19.  
      		 My Three Crichtons: Suite (Goodbye Caveman)    
      20.  
      		 Beware Of Dog: Ste (Vorc Arrives)    
      21.  
      		 Beware Of Dog: Ste (Parasite Hunting)    
      22.  
      		 Look At The Pricess Part II: I Do I Think (Crichton's Wedding)    
      23.  
      		 Farscape: Theme (Reprise)    
    Additional info: | top

      The time-and-space-bending sci-fi series Farscape incorporates many an alien world and species into its action-packed adventures. As such, it's a film scorer's playbook, one that calls for everything from traditional (read: kitschy) space music to out-and-out bombast. Though a single disc, Farscape covers the show's first two seasons. The Australian composing team of SubVision (Chris, Toby, and Braedy Neal) handles the initial episodes with a heavily synthesized hybrid of percussive flourish, swooping electronic effects, and ominous choirs. By contrast, Guy Gross's second-season music is more organic and subdued, finding its dramatic tension in subtle, emotionally connected ways. --Jerry McCulley